When Mona Rudao sees the fight is near the end, he gives leadership to Tado Mona, and returns to his wife and children (the movie implies two versions of the story, one is that Mona Rudao shot his wife, the other is that the wife hanged herself[12]). Some people of the village surrender and survive. Natives present and identify heads of the dead to the Japanese leadership for rewards, and it is shown that in the battle they feud with each other even further. Mahung Mona is resuscitated by the Japanese, and is sent to offer Tado Mona's men wine and a chance to surrender. The men take the wine, and sing and dance with the women, but refuse to surrender. Tado Mona tells Mahung Mona to give birth to and raise offspring, and leads men to hang themselves in woods. Piho Sapo is captured and tortured to death. The war ends, and even Kamada is impressed by his enemy's spirit. The surviving people of the villages that rebel are removed from their homes, and are later attacked by Kojima. Mona Rudao is missing, and a native hunter is led by a bird to find his body. The hunter then sees Mona Rudao and his people following the Seediq legend to cross the rainbow bridge. The film ends with a scene of several natives telling their creation story.
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Justin Chang of Variety describes the film as a "wildly ambitious rumble-in-the-jungle battle epic arrives bearing so heavy a burden of industry expectations, one wishes the results were less kitschy and more coherent", but "still, the filmmaking has a raw physicality and crazy conviction it's hard not to admire."[45] Chang also writes "In terms of recent epic cinema, the primitive warfare in Warriors of the Rainbow recalls that of Apocalypto, minus Mel Gibson's sense of pacing and technique" and the "chaotic combo of hard-slamming edits, gory mayhem and Ricky Ho's forever-hemorrhaging score makes the picture simply exhausting to watch over the long haul."[45] On the positive aspects, Chang noted "there's an impressive degree of variation and anthropological detail in the weaponry and fighting techniques, from the numerous implied decapitations (the Seediq's chief m.o.) to the guerrilla assaults in the tropical terrain they know so well."[45] Chang however criticized the film's use of special effects as "generally substandard throughout" and writes the "occasional shots of CGI rainbows -- that title is unfortunately literal -- send the film momentarily spiraling into camp."[45]
Part 2 makes up for the uneven and dragged out pace of the first part. Starting with a bit of a recap, the film jumps into action and rarely lets up, moving from one battle to the next and often setting up cliffhanger scenarios for our 300 warriors battling an army of 3000.
Mouna Rudo was born and raised among the Seediq people, an indigenous tribe in Taiwan, and as he grew to be a man he became a member of the Seediq Bale, a courageous band of native warriors. However, Rudo's way of life is threatened under the yoke of occupying forces from Japan, who took over the nation in 1895. As Rudo sees the traditions and honor of his people stripped away, he realizes the time has come to fight back, and in 1930 he brings together a group of former Seediq Bale soldiers, many of whom have been reduced to infighting, and molds them into a revolutionary army. Rudo and his comrades make their stand when they confront Japanese occupation troops at a youth athletic event, leading to a violent confrontation between the Seediq forces and their oppressors. Warriors of the Rainbow: Seediq Bale - Part 2: The Rainbow Bridge is Part two of the two-part, four-hour Taiwanese edition of the film Warriors of the Rainbow.
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